Anders
Anders Weberg (b.1968) is an Swedish artist working with video, photography, sound, new media and installations and is primarily concerned with identity.
Specializing in digital technologies, he aims to mix genres and ways of expression to explore the potential of audio visual media.
He coined the term Peer-to-peer art or (p2p art) in 2006. Art made for – and only available on – the peer to peer networks. The original artwork is first shared by the artist until one other user has downloaded it. After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. ”There’s no original”. Eight films with a duration between 45 minutes and 12 hours where uploaded on the file sharing networks in one copy and their original was deleted.
P2P Art – The aesthetics of ephemerality.
Working full time for the last 20 years making more than 500 films/projects and a little over 100 music videos.
Some of the works can be seen here: http://www.vimeo.com/weberg
Currently working on a 720 hours long video art work titled Ambiance that will premiere in 2020.
http://www.thelongestfilm.com
Also the founder and curator of the AIVA, International Video Art Festival 2012-2014 and the Stian gallery of [con]temporary art.
http://www.aivafestival.com
Currently based in the small village Kölleröd in the south of Sweden and has exhibited at numerous art/film festivals, galleries, and museums internationally, including:
Oscar Niemeyer Museum, Curitiba, Brazil; Biennale of Sydney, Sydney, Australia; Museum of Modern Art, Buenos Aires, Argentina; File Brazil 2007-2008-2011- 2012, São Paulo, Brazil; FutureEverything, Manchester, UK; National Museum of Contemporary Art, Athens, Greece; Beijing Contemporary Art Centre, Beijing, China; Cape 09 Art Biennale, Cape Town, South Africa; National Museum, Szczecin, Poland; [10th] Japan Media Arts Festival, Tokyo, Japan; Barcelona International Festival of Advanced Music and Multimedia Art, SONAR, Barcelona, Spain; Scope New York, US; Museum of Contemporary Art (MAC), Santa Fe, Argentina; Pocket Films , Centre Pompidou, Paris; Videoformes, Clermont – Ferrand, France and EMAF, European Media Art Festival, Osnabrück, Germany.
When not working on the film he lives with his family on a small farm in the south of Sweden where he spend the days among real thing as chickens, geese, sheep, ducks and his bee colonies growing food and enjoying the real life.
Offline:
Kölleröd 7374
S-24291 Hörby, Sweden
Online:
http://www.weberg.se
http://www.weberg.se/portfolio
http://www.twitter.com/andersweberg
http://www.facebook.com/artist.anders.weberg
http://www.vimeo.com/weberg
Available for talks, presentations, workshops worldwide.
Since 2001 I have visited festivals, universities, museums and conferences to give presentations, workshops and lectures about my work and is always interested in sharing what i’ve found out during the last 20 years of doing this full-time.
Get in touch if you want me to visit you. [email protected]
In the studio © Anders Weberg
ABOUT THE FILM
WHAT?
On December 31, 2020 the Swedish artist Anders Weberg end his 20 plus years relation with the moving image as a means of creative expression.
After more than 300 films he puts an end with the premiere of what will be a very long film.
Ambiancé is 720 hours long (30 days) and will be shown in its full length on a single occasion syncronised in all the continents of the world and then destroyed.
There will always be longer films and there is but this one will be the longest film made that doesn’t exist. A totally different thing.
This will be Anders last film he will ever make.
As a small tease until the premiere in 2020 shorter teaser/trailers will be presented at different occasions.
2014 – Short teaser which is 72 minutes long and that has the intent to convey the mood and tempo from the full piece.
(The teaser was online between July 4 and July 20 in 2014 and had amazing view counts. 1,622,147 .)
2016 – The first short trailer with duration 7 hours 20 minutes. March 2016.
2018 – Longer trailer with duration 72 hours.
WHO?
”I must be the most famous unknown filmmaker at the moment.”
– You don’t find me on wikipedia or IMDB (somebody added my recently because of Ambiancé) and that means I’m not existing.
But here I am if you want to know more.
– My name is Anders Weberg, Im 47 years old and was born in a small town called Landskrona in the south of Sweden. After moving around in Sweden and abroad I have now settled with my family on a small farm in a village called Kölleröd where we live with animals, grow our own food and just enjoying life.
– I define myself simply as an artist currently working mostly with the moving medium. ”Ambient filmmaking” is a term I really like and feel fits very well.
– I have worked with film now full-time for almost 20 years now. I have always played music but wasn’t good enough or handsome enough but wanted to be around the scene so I started making popvideos in the ninties and have done about 100 in the past and still do some from time to time. But I’ve been mostly involved in the video art/experimental film scene. Other than that I also play improvised video live in different constellations on but also solo where I also compose the music. I play on festivals around the world. And I have never worked in the so called regular film business or in the commercial world. I just totally focused on finding my own voice and refine that.
There is a Swedish filmmaker named Gunvor Nelson that I have a lot of respect for.
She often creates what she termed “personal films” rather than “experimental” or “avant-garde” films; on this matter she says:
”Everyone seemed unsure of what to call it. It is difficult. Are you really so ”avant-garde”? Experimental films sounds like something incomplete. I have made both surrealistic and expressionistic films, but I prefer the term ”personal film”. That is what it is about. Even if many don’t understand the meaning of the term. On the other hand, it can be easier to refer to them as avant-garde films. But I like the description ”personal film” since it stems from one person. When you paint, the term you choose will be described by method; mural painters for instance and so on. But when it comes to film we lack [the capacity] to describe what we are really doing.”
WHY?
– This is the most asked question I get and the hardest one to answer. There is so much to say about this regarding time, ephemerality, technology and so on but there is limited space but the easy version is.
For the last couple of years I kind of lost the lust for the moving media and I’m not so sure about the future of screen based media and thought about a way to phase it out. Time has long been a major subject of study in religion, philosophy, and science and I have for many years been very interested in the concept since that’s one thing we humans cannot control and we all have a relation to time even though time doesn’t exist.
We can only learn how to relate to it somehow.
Within the P2P art project I did some longer films before, the longest being 9 hours, 9 minutes, 9 seconds and 9 frames with the title 090909 released on September 9, 2009. Like for everyone else time is the most precious and valuable thing for me and I like to let things take time. So longer work is not new to me and I thought a lot of which length that would be the best fit if you are going to make one last film.
10, 20 hours? that’s not really long .. 30 days .. thats long.
How would you define your movie ? What’s your point ? Is there a message, something you want viewers to understand ?
– This is not a studio production like what you normally define as a film. But then, what’s the definition of a film? According to wikipedia its: A film, also called a movie or motion picture, is a series of still images which, when shown on a screen, creates the illusion of moving images due to phi phenomenon. This optical illusion causes us to perceive continuous motion between separate objects viewed rapidly in succession. Contemporary definition of cinema is the art of simulating experiences, that communicate ideas, stories, perceptions, feelings, beauty or atmosphere by the means of recorded or programmed moving images along with other sensory stimulations. For me the beauty of film is that it can be anything/everything.
How do you even go about working on a film that is to be 720 hours long? Do you work with a set idea, a script, or allow the idea to evolve, given the length of the film?
– I do have a general idea, mood and feel for the whole piece at this moment which I follow but since I work with emotions and not a scripted, dramaturgical piece this changes a lot and will in the upcoming years.
My process is that I collect glimpses of light with camera and take that with me into the computer where the real work begins taking all this glimpses and arranging and rearranging them into a flow that I feel represent the emotion I try to express. There is a Lot of post production behind it where I run all the captured material true numerous processes. I use After affects for that part.
Right now I have finished 400 hours of finished film so I am in a good position. I have to completely finish at least 1 hour of edited film each week to make my goal for now. That means I need 7-8 hours of raw material each week.
There is a lot of postproduction to get the look that I’m after. In a recent magazine article they calculated the following numbers of hours I need to finish it if I follow my current pace.
5760 hours of shooting (240 days)
8640 hours of post production (360 days)
Total: 14400 hours (600 days)
Why 720 hours? Why that particular duration of time and no other?
– The number 7 I knew when I started thinking about this 10 years ago since it’s such a strong number in history, myths and religion. Some easy ones. Lucky number seven, seven days of the week, seven deadly sins, seven colors of the rainbow, seven notes to the diatonic scale. The examples goes on and on.
720 has followed me for me along time since it’s the resolution for pal video and that it makes 30 days if you go 24 hours per day. I think 30 days is the biggest reason. 720 is also interesting mathematically since it’s a Harshad number and also if you take 1x2x3x4x5x6 = 720
When you say the film will be released in 2020 and will run for 30 days, what do you think it will do to the film-watching experience for the audience? Are you hoping that people will sit through it all (which seems physically impossible), or is the experience of watching this film all about experiencing it in bits and pieces, so that even the watching becomes ephemeral?
It is as you say physically impossible to watch the whole film. The longest time someone spent watching film is ..
”The longest time spent watching films is 120 hr 23 min and was achieved by Ashish Sharma (India) at the KDDC Movie Theater, K.D Dental College, Mathura, India, from 11-16 June 2008. Ashish watched 48 films in their entirety taking rest breaks in between each film of no more than 10 minutes, as stipulated in the guidelines. ”
BUT .. I will be the only one who ever watched all the frames in this since I made it but Impossible to watch for 30 days. But that I feel is so beautiful. So this will be for sure an ephemeral experience and the only thing that will remain is the memories of the little bits and parts the viewer got to see.
How much of your past experience as an artist is feeding into this project?
– Every little part of me is in this movie. This will be my last after working full-time for almost 20 years so it better be. If not, what a waste.
There is an inherent irony to this film that will be destroyed after its first screening. The fact that the product is gone, but its legacy lives on. Was that intention deliberate? Because, in a way, it is a reflection of death too. That the physicality of the body is gone, but the spirit, the memories live on.
– Yes that is the main idea behind the whole project. Also another irony is that a lot of people and media has gotten stuck in the term ”the longest film” and are interested just in any kind of record and think that’s what I aim for but for me its a play with this record thing. Since it will be screened only one time and then destroyed this will be the longest film made that doesn’t exist.
You say it’s ”a sort of memoir movie” : what do you mean exactly ? Is it a series of images, memories, without any link ?
– I know that everyone has a story to tell even if they think they are not important and exiting but who says everything has to be so special. Basically it’s a memoir film, biographical film filled with all the memories I have so far in life. The places I’ve been, people I met, my dreams, hope and so on. Everything in the film is linked not chronologic but more emotionally.
WHEN?
The film will only be shown once, on 31 December 2020, on ”a single occasion synchronised in all continents of the world.” Could you explain to me how do you plan to do this, in a more concrete way ? Have you already reached agreements with some cinemas over the world ?
– This is not a piece meant for a regular cinema. More a museum, gallery film since there is where my other work shows and also where I feel it fits best.
– Since there still are many years to come nothing is fully decided yet and also I stay open for the new possibilities for showing media that will show up I’m sure. Do we even have screen based media in 2020?
You also say it will be shown only once, and then destroyed. Why ? Don’t you find it frustrating to work so many years on a project and then show it just once ?
– The idea behind the extinction of the film is something I also have thought a lot about and done many times before.
– We live in a digital world where everything is kept forever as long as we have any media to store it on.
– It’s very easy to create in a digital world. It’s harder to delete.
– In the analogue world when something is broken or burnt for example is gone forever and cannot be brought back. In another project I started in 2006 I was also deleting works.
P2P Art. Art made for – and only available on – the peer to peer networks. The original artwork is first shared by the artist until one other user has downloaded it. After that the artwork will be available for as long as other users share it. The original file and all the material used to create it are deleted by the artist. ”There’s no original”.
Six films with a duration between 45 minutes and 12 hours was uploaded on the file sharing networks in one copy and their original was deleted. P2P Art – The aesthetics of ephemerality.
– For Ambiancé it will be ultimate personal performance. And also to make a real end to my time with film. Screen it one in it’s full length and make sure very little bit of will be destroyed. I will travel to all the continents and destroy the player myself to make sure it’s deleted. The only thing that will remain is the memory of it and for those who watched it the experience.
– The only physical thing that will remain is the photographic prints that I make available for sale each month taken from the film and just available that month, limited to a 100, signed and numbered. Those will be the only physical evidence for this projects for the owners/collectors.
Contact me if you have any other questions you would like me to answer.
TEASERS / TRAILERS
Up until tre release in 2020 a number of teaser/trailers will be released.
2014 – a 72 minute teaser was released and online for 14 days and had 1,622,147 views. The teaser will not be online again.
2016 – a first short 7 hour and 20 minute long trailer will be released. World premiere offline at Videoformes in France March 17 and uploaded to the net March 30.
2018 – a longer 72 hour trailer will be released.
https://web.archive.org/web/20180214165514if_/https://player.vimeo.com/video/160627722
Ambiancé – First short TRAILER – 7 Hours 20 Minutes in one take – by Anders Weberg. from Anders Weberg on Vimeo.
Ambiancé – the short Trailer
Year: 2016
Duration: 7 hours 20 minutes in one take/no cuts.
Film: Anders Weberg
Performers: Niclas Hallberg and Stina Pehrsdotter
Main Character: Time
Music: Martin Juhls aka Marsen Jules
One beach
2 performance artists
7 hours and 20 minutes in One take, no cuts
On October 31 2015 the first short 7 hour and 20 minute trailer was filmed at Hovs Hallar in the south of Sweden. This is the same location Ingmar Bergman used for the iconic scene where Antonius Block challenges the grim reaper to a game of chess in the Seventh Seal from 1957.
The trailer was filmed in one single take for 7 hours and 20 minutes with no cuts and the Swedish performers Stina Pehrsdotter and Niclas Hallberg interpreted the chess game from the film as a Bergman-esque comment on the absurdity and randomness of existence in the scenes; life/quest/power /death/escape/rest/love.
The soundtrack is composed by Marsen Jules/Martin Juhls (marsenjules.de)’
Ambiancé is a 720 hour/30 day long film that is set to premiere on December 31 2020. This will be the artist Anders Weberg’s good bye to the moving medium as a way of expression for the last 25 years and no more films will be made after that. C’est fini.
The final film will be screened once syncronised on all the continents and then deleted. Ambiancé is 720 hours long (30 days) and will be shown in its full length on a single occasion syncronised in all the continents of the world and then destroyed.
Ambiancé will be the longest film made that doesn’t exist.
Up until 2020 three teasers/trailers will be publiced.
The first 72 minute teaser was released in 2014, the first short trailer in 2016 and then the longer 72 hour trailer will be released in 2018.
Behind the scenes pics from the shoot. Performers Niclas Hallberg and Stina Pehrsdotter.
The shooting script for the trailer and the black horse we found first thing when arriving for the shot.
During the filming I did some small live updates on instagram. I uploaded the clips on the Ambiance Youtube channel.
SUPPORT THE PROJECT/SHOP
After the one time screening of the full 720 hour ”Ambiancé” the film will be deleted. Nothing will be be kept.
The only thing that will remain except the memories is the prints from the film. Each month up until the screening a frame from the film is sold as a photographic print in a very limited edition.
100 pieces, numbered and signed. The print is only available in the month that it’s released. After that the original frame is deleted so it cannot be sold again.
Ambiancé is 100% self financed since I do this project for my own sake and don’t want anyone else to interfere. And to be honest who would ever be interested in investing in a project like this.
Up until the release a new very limited print taken from the film will be available each month in the shop. Prints are signed, numbered and limited to 100 and will only be available for one month. This is a way to support this project and also to own a Very exclusive limited print. I’m so grateful to all of you who ordered a print and it really means a lot to me.
All photos are 6in x 6in high-quality prints on 8in x 8in archival paper. Limited to an edition of 100 with free shipping.
Signed and numbered.
39$ including shipping worldwide.
The shop is maintained by me, Anders Weberg who is making the film. This means no middle hands or anything. By shopping a print you are supporting the film directly.
I’m so grateful for all the support you show me and it really makes a difference. Without you I can’t do this.
I don’t have any investors, fundings, grants since I wanna be in total control of this project.
The only help I have is that my kids enjoy putting on the stamps on the shippings so when your purchase arrives and the stamps are all over the place, it’s just my 4 year old girl Greta.
Thank you so much. From Sweden with love.
Anders
Any questions or ideas just get in touch.
[email protected]
Visit the shop.
http://store.recycled.se
Recently I was invited as a guest teacher in an art school in France and to my surprise I found 3 of my prints on the wall in a place I visited.
And here is another example
[simple-social-share]
PRESS
Important!
When writing about the Ambiancé 7 hour Trailer please credit the actors Stina Pehrsdotter & Niclas Hallberg who performs in the Trailer and German composer Martin Juhls who provided the soundtrack. Without any of them there wouldn’t be a trailer.
Welcome to the press site for the project Ambiancé.
Please don’t hesitate to contact me if you need more information.
I prefer making email interviews but I will give you my telephone number upon request.
Below is a few stills from the film. Contact me if you need other formats.
[email protected]
Please follow the film progress on twitter http://www.twitter.com/andersweberg or by using hashtag #ambiance2020. Also you can access the Ambiancé Facebook page by going to Ambiancé – the longest film. 720 hours/30 days
On the bottom of this page is a couple of links to previous press coverage for the project.
Thank you.
Anders Weberg
Kastanjegården i Kölleröd
S-24291 Hörby
Sweden
http://www.weberg.se
Ambiancé – the short Trailer
Year: 2016
Duration: 7 hours 20 minutes in one take/no cuts.
Film: Anders Weberg
Performers: Niclas Hallberg and Stina Pehrsdotter
Main Character: Time
Music: Martin Juhls aka Marsen Jules
One beach
2 performance artists
7 hours and 20 minutes in One take, no cuts
On October 31 2015 the first short 7 hour and 20 minute trailer was filmed at Hovs Hallar in the south of Sweden. This is the same location Ingmar Bergman used for the iconic scene where Antonius Block challenges the grim reaper to a game of chess in the Seventh Seal from 1957.
The trailer was filmed in one single take for 7 hours and 20 minutes with no cuts and the Swedish performers Stina Pehrsdotter and Niclas Hallberg interpreted the chess game from the film as a Bergman-esque comment on the absurdity and randomness of existence in the scenes; life/quest/power /death/escape/rest/love.
The soundtrack is composed by Marsen Jules/Martin Juhls (marsenjules.de)’
Ambiancé is a 720 hour/30 day long film that is set to premiere on December 31 2020. This will be the artist Anders Weberg’s good bye to the moving medium as a way of expression for the last 25 years and no more films will be made after that. C’est fini.
The final film will be screened once syncronised on all the continents and then deleted. Ambiancé is 720 hours long (30 days) and will be shown in its full length on a single occasion syncronised in all the continents of the world and then destroyed.
Ambiancé will be the longest film made that doesn’t exist.
Up until 2020 three teasers/trailers will be publiced.
The first 72 minute teaser was released in 2014, the first short trailer in 2016 and then the longer 72 hour trailer will be released in 2018.
More info about the project at thelongestfilm.com
On December 31, 2020 the Swedish artist Anders Weberg end his 20 plus years relation with the moving image as a means of creative expression.
After more than 300 films he puts an end with the premiere of what will be the longest film ever made that wont exist after it’s screening.
Ambiancé is 720 hours long (30 days) and will be shown in its full length on a single occasion syncronised in all the continents of the world and then destroyed.
In the piece Ambiancé space and time is intertwined into a surreal dream-like journey beyond places and is an abstract nonlinear narrative summary of the artist’s time spent with the moving image . A sort of memoir movie . (Film memoir ) .This in the visual expression that is constantly characterized the work throughout the artists career. This will be Anders last film he will ever make.
As a small tease until the premiere in 2020 shorter teaser/trailers will be presented at different occasions.
2014 – Short teaser which is 72 minutes long and that has the intent to convey the mood and tempo from the full piece. (The teaser was online between July 4 and July 20 2014 and had amazing view counts. 1,622,147 views.)
2016 – The first short trailer with duration 7 hours 20 minutes. Online here.
2018 – Longer trailer with duration 72 hours.
The teaser/trailer is available for screenings off line at festivals/exhibitions so please get in touch if interested. Also if you want Anders to visit you and do a presentation, lecture or workshop. Stina Pehrsdotter & Niclas Hallberg © Anders WebergStina Pehrsdotter & Niclas Hallberg © Anders WebergStina Pehrsdotter & Niclas Hallberg © Anders WebergStina Pehrsdotter & Niclas Hallberg © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders WebergAmbiancé press © Anders Weberg
A selection of press.
http://www.indiaglitz.com/swedish-filmmaker-anders-weberg-making-a-film-with-a-running-time-of-720-hours-or-30-days-tamil-news-190530.html
http://www.periodismo.com/2017/07/24/una-pelicula-de-720-horas-sera-la-mas-larga-de-la-historia/
http://www.epochtimes.com/b5/17/7/23/n9453734.htm
http://kopalniawiedzy.pl/Ambiance-najdluzszy-film-Anders-Weberg-rezyser,26759
http://a1.ro/timp-liber/film/cel-mai-lung-film-artistic-din-istorie-va-dura-720-de-ore-pana-si-trailerul-dureaza-sapte-ore-pelicula-va-fi-difuzata-pe-toate-continentele-doar-o-singura-data-uite-cand-va-aparea-id677258.html
http://www.epochtimes.com/gb/17/7/23/n9453734.htm
http://kinoveeb.delfi.ee/uudised/rootsi-rezissoor-soovib-minna-ajalukku-maailma-pikima-filmiga?id=78943050
http://www.viva.co.id/blog/entertainment/938004-ambience-film-dengan-druasi-terpanjang-hingga-720-jam
http://www.sggp.org.vn/bo-phim-dai-720-gio-dong-ho-456731.html
http://www.phununews.vn/doi-song/soc-tim-ngung-dap-hon-40-phut-van-song-lai-binh-thuong-205245/
http://www.indiewire.com/2017/07/7-movies-donald-trump-should-watch-1201856320/
http://www.cronica.com.mx/notas/2017/1033591.html
http://magazinedelledonne.it/cinema/content/2407455-incassi-oscar-baci-e-parolacce-i-record-del-cinema
http://www.dailymail.co.uk/news/article-3545742/Swedish-director-releases-SEVEN-HOUR-TRAILER-film-run-30-days.html
http://index.hu/kultur/2016/04/17/hetoras_elozetes_keszult_a_30_napos_filmhez/
http://mtv.com.hr/vijesti/najduzi-film-svih-vremena-dobio-najduzi-trailer-svih-vremena
http://www.petofilive.hu/2016/04/17/megjelent-a-vilag-leghosszabb-filmjenek-7-oras-elozetese/
https://inoutstar.com/upcoming-720-hour-long-movie-gets-7-hour-and-20-minute-trailer-3016
http://www.vice.com/read/we-spoke-to-the-artist-making-the-longest-movie-in-history
http://www.ibtimes.co.uk/ambiance-720-hour-long-movie-by-anders-weberg-gets-short-seven-hour-trailer-1555519
http://www.indiewire.com/article/ambiance-trailer-longest-film-ever-made-30-days-20160417
http://www.independent.co.uk/arts-entertainment/films/news/ambianc-the-worlds-longest-ever-film-gets-a-seven-hour-trailer-a6989561.html
http://www.digitalspy.com/movies/trailers/news/a791015/this-movie-trailer-is-over-7-hours-long/
http://www.newser.com/story/223814/month-long-film-gets-a-7-hour-trailer.html
http://www.movienewsguide.com/ambiance-worlds-longest-ever-film-gets-seven-hour-trailer-watch/196498
http://decider.com/2016/04/18/final-shots-longest-movie-ever/
http://www.koreatimes.co.kr/www/news/culture/2016/04/141_202812.html
http://www.flickreel.com/longest-film-ever-made-gets-7-hour-trailer/
http://www.nme.com/filmandtv/news/longest-film-ever-made-releases-new-7-hour-trailer/404890
http://411mania.com/movies/seven-hour-trailer-released-for-ambiance/
http://www.diregiovani.it/2016/04/19/30059-ambiance-esce-trailer-del-film-720-ore-diretto-anders-weberg.dg/
http://www.leggo.it/spettacoli/cinema/ambiance_film_mese-1682626.html
http://it.blastingnews.com/cultura-spettacoli/2016/04/ecco-il-trailer-del-film-che-dura-720-ore-00885279.html
http://www.ilfattoquotidiano.it/2016/04/19/ambiance-sette-ore-per-il-trailer-del-film-piu-lungo-mai-realizzato-che-dura-30-giorni/2652329/
http://www.metropolisweb.it/news/ambianc-il-film-pi-lungo-di-sempre-luscita-prevista-per-il-2020/6236.html
http://www.mangaforever.net/312248/ambiance-e-uscito-il-trailer-di-sole-7-ore-del-film-che-durera-30-giorni
http://www.globalist.it/Detail_News_Display?ID=87852&typeb=0
http://www.vnews24.it/2016/04/20/ambiance-film-durata/
http://www.blitzquotidiano.it/cinema/ambiance-film-piu-lungo-di-sempre-trailer-7-ore-2443329/
http://www.tio.ch/News/Agenda/Cinema/1081263/Un-trailer-di-sette-ore-per-un-film-lungo-30-giorni/
http://twitchfilm.com/2016/04/full-trailer-for-ambiance-who-has-7-hours-to-spare.html
http://www.i4u.com/2016/04/108992/ambiance-worlds-longest-film-ever-reveals-seven-hour-trailer‘
http://www.fastcocreate.com/3059003/quick-hit/if-you-have-time-watch-this-7-hour-20-minute-trailer-for-a-720-hour-film
http://www.publimetro.com.mx/askmen/ambiance-del-director-anders-weberg-es-la-pelicula-mas-larga-del-mundo/jxdpdo!CDbBU4_xCh7eyU90SDFtWQ/
http://www.dagbladet.no/2016/04/18/kultur/sverige/film/kunst/anders_weberg/43912048/
http://www.t-online.de/unterhaltung/kino/id_77602686/sieben-stunden-trailer-vom-laengsten-film-aller-zeiten-ist-da.html
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