Ramona and Beezus: I didn’t cause it! I was simply waiting here!

Ramona and Beezus – Children who began reading between the 1950s and the present may be familiar with Beverly Cleary’s works; at 94, she is continuously producing new works. She must have saved it for later use because Klickitat Street in Portland, Oregon, where her books are set, is a genuine street close to her childhood home.

Those readers will be aware that a nine-year-old named Ramona, her fifteen-year-old sister Beatrice, their parents Robert and Dorothy, their aunt Bea, and Beezus and Ramona’s friend Henry Huggins all reside on that street. Ramona, who never runs out of mischief and keeps life interesting for these individuals for 60 years, is unstoppable, and I believe that she may have served as an indirect inspiration for the 1950s sitcom “Leave It to Beaver.”

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Synopsis Ramona and Beezus

The protagonist of “Ramona and Beezus,” Ramona (Joey King), is not a horrible girl. No one can play more innocently than King, who also believes she is playing more innocently. She excels at the line, “But I was only standing here!” But she disturbs her family every day in an astounding number of ways more than that rebel Labrador in “Marley & Me.” I don’t even want to think about the bills for property damage because the tale is about her father losing his job.

Naturally, Ramona manages to survive as catastrophe erupts all around her. In her daydreams, she also occasionally hangs precariously over a raging canyon. Even when she was too small to understand better, she was up to mischief: she gave her sister Beatrice the derogatory moniker Beezus.

Synopsis Ramona and Beezus

The only audience for this lighthearted G-rated comedy is clearly children Ramona’s age. The movie is judiciously supplied with adults who prepared to play straight men; Sandra Oh a calming presence as Ramona’s pragmatic teacher. Joey King and the Disney sensation Selena Gomez are also appealing. The adults keep the movie from going completely bonkers and off the rails by implying that there is some kind of normality on Klickitat Street.

It’s strange that these Beverly Cleary books didn’t spawn a 1960s or 1950s American TV show like “Leave It to Beaver” did. (Sarah Polley portrayed Ramona in a PBS series from the 1980s.) They might still employed by Nickelodeon or the Disney Channel, but not by mainstream television these days. The world of Klickitat is vanishing into everlasting nostalgia because we no longer all watch the same TV series, we are not as young, and we are no longer as innocent. The charming salutation “Ramona and Beezus” is lovely.

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