Synopsis Meet Joe Black. The movie “Meet Joe Black” is about a wealthy guy attempting to agree to the circumstances of his own demise. A woman who falls in love with a concept is the subject of the film. Additionally, it is a reflection of Brad Pitt‘s charisma on film. It’s not always a good thing that there is time for sequences involving family rivalry and a business takeover. The film has many other features as well as elements that make it very good. Less can be more.
A wealthy named William Parrish (Anthony Hopkins) suffers a heart attack as the movie opens, and the soundtrack uses low bass tones to strike the audience. In his thoughts, he hears his own voice. He senses that death is imminent as he approaches his 65th birthday. He says to his adored younger daughter Susan (Claire Forlani): “Stay open. I like your fiance, but I don’t feel that you two are in love. Possible lightning strikes.Yes, it does. A stranger (Brad Pitt) approaches her at a coffee shop a little while later. They converse and flirt. He speaks in the proper tones. At the very least, lightning causes a near miss. They acknowledge their mutual attraction. They separate. He passes away. She is shocked to see him at her father’s dinner that evening. Death has taken up residence in the young man’s body and has come to warn Parrish that his time is running out.
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Synopsis Meet Joe Black
He is unable to identify Susan. Odd, that. Is Death not a representative of God? He ought to be aware of these details. He’s been around for a while (one can picture him telling amoebas the bad news). Even the taste of peanut butter and how to kiss are unknown to this Death. You need a someone with more experience for a task like that.
No big deal. The assumption is accepted. The way Brad Pitt portrays the part already diverts our attention. He is highly conscious of himself, almost to an excessive degree, both as the young man at the coffee shop and as “Joe Black” (the moniker Parrish gave him). Although Pitt is a skilled actor, this performance is a mistake. An experienced actress knows that the words “I love you” are really a question, according to a quote from Meryl Streep. Pitt uses them to make himself look good. Joe Black and Susan have little chemistry because they are both preoccupied with him.
That at least brings up the novelty of a rare movie love scene when the man’s face rather than the woman’s is the center of attention. Actresses have mastered the art of staging orgasms on camera throughout the years, typically accompanied by exuberant cries of ecstasy and passionate weeping. (As they are tossed around by their capable male partners, they occasionally make me think of a young girl joining the cheerleading squad mixed with a recent war widow.) Pitt does not cry out, which would take a very daring masculine actor to portray such loss of control. His orgasm moves slowly across his face, as if he were contemplating how much better this is than peanut butter.
Romance between Susan and Joe.
I simply did not buy into the romance between Susan and Joe. She spends the most of the film trying to figure out a very strange man who for a brief moment made her heart feel all mushy. There is only the concept of ideal love there for her. Joe Black is portrayed as a being who is unaccustomed to inhabiting a human body or carrying out human activities. Is this Death’s first attempt at this strategy, one wonders? Joe makes a bargain with Parrish that he won’t die as long as he can keep him engaged and teach him new things. As a result, Parrish starts taking Joe everywhere with him, including board meetings where Joe typically keeps completely silent and exudes the cat-and-mouse look.
Anthony Hopkins’ performance and the Parrish character are entirely unrelated issues. Hopkins communicates extremely effectively and infuses the dying millionaire with intelligence and acceptance. The majority of “Meet Joe Black” is made up of talks, which are well-written and don’t feel forced or phony as long as Parrish is there. The shady Drew (Jake Weber), whom Susan dumps for Joe, and the affable Quince (Jeffrey Tambor), his devoted but inept son-in-law, are his most important business partners. Quince’s wife, Allison (Marcia Gay Harden), is aware that her father prefers Susan, but she is able to accept this because Parrish is such a nice guy. (He is the first wealthy character in a movie who could at least fit his head and shoulders through the eye of the needle; he is moral, sensitive, and liked.) Parrish is interesting because he approaches death the same way he has approached everything else. He evaluates his odds realistically, looks for advantages, bargains for the best conditions, and graciously accepts the inevitable. Sometimes, the way he handles his negotiations with Death makes you wish Heaven had sent a more skilled mediator.
Synopsis Meet Joe Black: There are also reconciliations and partings
It takes too long for the movie to end. There are good-byes, pauses for thought, admissions, assurances, and surprises. There are also reconciliations and partings. Joe Black starts to irritate us with his propensity for expressing things that are logically correct but inaccurate and incomplete. If he didn’t constantly have to speak in epigrams, the movie would flow better. He continues to use acrostic clues even at the very end, when one or two lines of direct speech would have resolved the situation.
Martin Brest (“Scent of a Woman”) directed this film, and there is a lot about it that is admirable. As she bargains with the peculiar conditions of her love, Claire Forlani displays a sympathetic fragility. As a devoted daughter who is aware that she isn’t the favorite, Marcia Gay Harden portrays a mature, insightful moment with Parrish. We see what a decent man Parrish is through Jeffrey Tambor’s eyes, thus his acting is essential. Additionally, Anthony Hopkins finds dry land in a plot that has a tendency to sink into quicksand. Here, you can catch a glimpse of his “Nixon”: a man who can wield rage like a scalpel while keeping his distance to see the outcome.